Seated Man on a Balcony
73 cms x 61 cms (28.75 ins x 24 ins)
Signed and dated 1942 and on verso titled old man, dated, inscribed "23/29" and numbered 302
drawn in 1942
Lot offered for sale by Heffel, Vancouver at the auction event "Fall 2008 Live auction" held on Wed, Nov 19, 2008.
Lot 081
Lot 081
Estimate: CAD $8,000 - $10,000
Realised: CAD $8,190
Realised: CAD $8,190
Lot description - from the online catalogue*
Provenance:
Galerie Walter Klinkhoff Inc., Montreal
Private Collection, Montreal
Literature:
William Kuhns and Leo Rosshandler, Sam Borenstein, 1978, page 54
Notes:
Samuel Borenstein returned to Montreal in 1939 from Paris, where Vincent Van Gogh had been an early influence, followed by the painting of Chaim Soutine with its wild colour, emotion and chaotic form. In 1942, Borenstein moved into an apartment in the Plateau district of Montreal, which is possibly the backdrop for this work. During the late 1930s through the 1940s, Borenstein painted his most celebrated portraits. Intriguingly, he painted a variety of sitters, even bringing people of different walks of life home that he had met on the street - his criteria was that they be distinctive and interesting. Borenstein used his powers of observation to penetrate into the inner life of the sitter, and as Kuhns writes, "A Borenstein portrait has a way of suggesting some primal quality about its sitter...His best portraits are studies of people who seem to be questioning their fate." In this astute painting, Borenstein captures a patience and dignity in the carefully dressed and posed old man. Perhaps Borenstein was thinking of Van Gogh's unforgettable portraits of Dr. Gachet, with his intelligent and melancholic yet gentle stance.
Galerie Walter Klinkhoff Inc., Montreal
Private Collection, Montreal
Literature:
William Kuhns and Leo Rosshandler, Sam Borenstein, 1978, page 54
Notes:
Samuel Borenstein returned to Montreal in 1939 from Paris, where Vincent Van Gogh had been an early influence, followed by the painting of Chaim Soutine with its wild colour, emotion and chaotic form. In 1942, Borenstein moved into an apartment in the Plateau district of Montreal, which is possibly the backdrop for this work. During the late 1930s through the 1940s, Borenstein painted his most celebrated portraits. Intriguingly, he painted a variety of sitters, even bringing people of different walks of life home that he had met on the street - his criteria was that they be distinctive and interesting. Borenstein used his powers of observation to penetrate into the inner life of the sitter, and as Kuhns writes, "A Borenstein portrait has a way of suggesting some primal quality about its sitter...His best portraits are studies of people who seem to be questioning their fate." In this astute painting, Borenstein captures a patience and dignity in the carefully dressed and posed old man. Perhaps Borenstein was thinking of Van Gogh's unforgettable portraits of Dr. Gachet, with his intelligent and melancholic yet gentle stance.
Most realised prices include the Buyer's Premium of 18-25%, but not the HST/GST Tax.
(*) Text and/or Image might be subject matter of Copyright. Check with Heffel auction house for permission to use.
(*) Text and/or Image might be subject matter of Copyright. Check with Heffel auction house for permission to use.