French Canadian Cottage
25.4 cms x 30.5 cms (10 ins x 12 ins)
Signed and dated 1926 lower right. Signed "M.W. Reid" on the reverse
made in 1926
Lot offered for sale by Cowley Abbott, Toronto at the auction event "Fall Live Auction of Important Canadian Art" held on Thu, Dec 1, 2022.
Lot 41881
Lot 41881
Estimate: CAD $4,000 - $6,000
Realised: CAD $14,400
Realised: CAD $14,400
Lot description - from the online catalogue*
Provenance:
Collection of the Artist
George Conn, 1965
Private Collection, Ontario
Exhibitions:
"Canadian Small Pictures", CNE, Toronto, 1927, no. 402
"Home Truths", The Robert McLaughlin Gallery, Oshawa; travelling to Mississauga Living Arts Centre; Rodman Hall, St. Catharines,
4 September 1997‒22 February 1998
Literature:
Adjutor Rivard, "Chez Nous (Our Old Quebec Home)", Toronto, 1914, page 19
Joan Murray, "Home Truths: A Celebration of Family Life by Canada’s Best-Loved Painters", Toronto, 1997, plate 10, reproduced page 24
Notes:
A painter and printmaker, Mary Wrinch immigrated to Toronto from England in 1885. The artist made this city her home base, from which she ventured into the Ontario northland to paint, particularly around Lake Muskoka. Remarkably, Wrinch adapted her modernist style to this landscape years before the Group of Seven became famous for depicting the same region. Her art education began at the Central Ontario School of Art in Toronto (now OCAD), where Wrinch studied under Robert Holmes, Laura Muntz, and G. A. Reid (whom she later married, in 1922), graduating in 1893. She subsequently travelled to London, England, to further her training at the Grosvenor Life School under Walter Donne until 1899, and to study miniature painting under Alyn Williams. Her education continued at the Art Students' League in New York, where she also received private lessons in miniature painting from Alice Beckington. She was elected an associate of the Royal Canadian Academy in 1918, and was also a member of the American Society of Miniature Painters (1902), the Ontario Society of Artists, the Society of Canadian Painter-Etchers and Engravers, the Canadian Society of Graphic Art, the Women's Art Association of Canada, and the Canadian Handicrafts Guild. In addition to exhibiting with these associations, she participated in the Canadian Painting Exhibition at the Art Gallery of Toronto (where her work was displayed alongside that of several members of the Group of Seven), the British Empire Exposition in Wembley, England (1924), and in a show at the Tate Gallery, London (1938), among many other exhibitions. She is represented in the collections of the Art Gallery of Ontario, and the National Gallery of Canada.
Collection of the Artist
George Conn, 1965
Private Collection, Ontario
Exhibitions:
"Canadian Small Pictures", CNE, Toronto, 1927, no. 402
"Home Truths", The Robert McLaughlin Gallery, Oshawa; travelling to Mississauga Living Arts Centre; Rodman Hall, St. Catharines,
4 September 1997‒22 February 1998
Literature:
Adjutor Rivard, "Chez Nous (Our Old Quebec Home)", Toronto, 1914, page 19
Joan Murray, "Home Truths: A Celebration of Family Life by Canada’s Best-Loved Painters", Toronto, 1997, plate 10, reproduced page 24
Notes:
A painter and printmaker, Mary Wrinch immigrated to Toronto from England in 1885. The artist made this city her home base, from which she ventured into the Ontario northland to paint, particularly around Lake Muskoka. Remarkably, Wrinch adapted her modernist style to this landscape years before the Group of Seven became famous for depicting the same region. Her art education began at the Central Ontario School of Art in Toronto (now OCAD), where Wrinch studied under Robert Holmes, Laura Muntz, and G. A. Reid (whom she later married, in 1922), graduating in 1893. She subsequently travelled to London, England, to further her training at the Grosvenor Life School under Walter Donne until 1899, and to study miniature painting under Alyn Williams. Her education continued at the Art Students' League in New York, where she also received private lessons in miniature painting from Alice Beckington. She was elected an associate of the Royal Canadian Academy in 1918, and was also a member of the American Society of Miniature Painters (1902), the Ontario Society of Artists, the Society of Canadian Painter-Etchers and Engravers, the Canadian Society of Graphic Art, the Women's Art Association of Canada, and the Canadian Handicrafts Guild. In addition to exhibiting with these associations, she participated in the Canadian Painting Exhibition at the Art Gallery of Toronto (where her work was displayed alongside that of several members of the Group of Seven), the British Empire Exposition in Wembley, England (1924), and in a show at the Tate Gallery, London (1938), among many other exhibitions. She is represented in the collections of the Art Gallery of Ontario, and the National Gallery of Canada.
Most realised prices include the Buyer's Premium of 18-25%, but not the HST/GST Tax.
(*) Text and/or Image might be subject matter of Copyright. Check with Cowley Abbott auction house for permission to use.
(*) Text and/or Image might be subject matter of Copyright. Check with Cowley Abbott auction house for permission to use.