VESSEL 134

John Smith-Jones

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(b. 1949, ACAD Grad Year - 2008)

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VESSEL 134; 2010

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copper, fused silber, 24k gold leaf

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4.75 x 6 in. (12.1 x 15.2 cm)

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ARTIST STATEMENT

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As an artist working in metal the main area of my work is exploring the form of small raised vessels often with gold leaf interiors. Each vessel serves as a metaphor for the body and spirit, a visual manifestation of internal and external life forces, addressing the tensions that define us as imperfect beings. During the process of hammering, fine cracks often develop or are intentionally cut into the rim; these are filled with silver solder and worked further. I choose to emphasize the marks, not cover them - for they reference our experiences - fissures within the natural landscape - or perhaps cracks in our personal armor.

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The main impetus in my practice has been the exploration of new techniques and new materials - yet I am employed in an ancient craft utilizing age old resources - copper, silver, gold - materials extracted from the earth. For many years I worked as a geologist in the oil and gas industry, this training underpins my experience of the world and the creation of my art. Just as the land shows evidence of change and our bodies reflect our lived experiences, evidence of process is integral to the work. The hammer marks provide not only an interesting texture but also indications of the history of vessel making and the experience of making this particular vessel.

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Since 2008 I have begun a new series of vessels that are an extension of my practice -these are made from discarded metal objects found in charity shops, second hand stores or given to me by friends or clients. In an era that recognizes the high costs associated with mining (both environmental or economic) it seems timely to give new form to these discarded domestic objects. As a craftsman, my process allows me the time to consider the intrinsic history of the work even as I re-construct vessels made from these found objects. Thus, as I raise each vessel, I am conscious of its distinctive history - for the worn surfaces, faded engravings, and manufacturing marks speak of a resplendent past and also of their inevitable fall from favor. They are the physical manifestation of an era marked by consumption and their present circumstances a reflection of our self-reflective age. In their new form they encourage the viewer to think about the environmental costs embedded within the objects we buy and encourage us to reconsider our notions of disposability and environmental responsibility.

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My art practice continues to embraces the creation of objects that are beautiful and intriguing and which draw the viewer in. The vessels embody an experience of reality that is both familiar and foreign - they are indeed metaphors for existence.