
Catching Waterlilies
61 cms x 87.6 cms (24 ins x 34.5 ins)
Signed and dated 1889 lower right
made in 1889
Lot offered for sale by Cowley Abbott, Toronto at the auction event "Artwork from an Important Private Collection" held on Thu, Dec 1, 2022.
Lot 41544
Lot 41544
Estimate: CAD $50,000 - $60,000
Realised: CAD $156,000
Realised: CAD $156,000
Lot description - from the online catalogue*
Provenance:
Private Collection
Exhibitions:
"The Spectacle of Play", Art Gallery of Hamilton, Summer 2014
"Embracing Canada: Landscapes from Krieghoff to the Group of Seven", Vancouver Art Gallery; travelling to Glenbow Museum, Calgary; Art Gallery of Hamilton, 30 October 2015–25 September 2016
"Highlights from ‘Embracing Canada’," Annual Loan Exhibition, Galerie Eric Klinkhoff, Montreal, 22 October–5 November, 2016, no. 10
Literature:
Christine Boyanoski, ‘Figures in the Landscape en plein air’ in Ian Thom, et al., "Embracing Landscapes: From Krieghoff to the Group of Seven", Vancouver/London, 2015, pages 61-62, reproduced pages 58-59
Notes:
Born in Montreal, Sandham began his career as a painter and illustrator while working as a photographic retoucher with noted composite photographer William Norman in his studio. Branching out into his own practice, Sandham won the silver medal at the Universal Exposition in Paris in 1878 for his composite photograph of the Montreal Snow Shoe Club (1877). He began working on assignment for "The Century Magazine" and "Scribner’s Monthly" magazine creating illustrations for the publications, including an illustration for George Grant’s "The Dominion of Canada" article for "Scribner’s Monthly" (1880). He was a founding member of the Society of Canadian Artists and in 1880 became a charter member of the Royal Canadian Academy. Travelling to France, Boston, and England, spending significant time in Boston where he was the vice president of the Boston Arts Club, Sandham passed away in 1910 in London, UK.
Private Collection
Exhibitions:
"The Spectacle of Play", Art Gallery of Hamilton, Summer 2014
"Embracing Canada: Landscapes from Krieghoff to the Group of Seven", Vancouver Art Gallery; travelling to Glenbow Museum, Calgary; Art Gallery of Hamilton, 30 October 2015–25 September 2016
"Highlights from ‘Embracing Canada’," Annual Loan Exhibition, Galerie Eric Klinkhoff, Montreal, 22 October–5 November, 2016, no. 10
Literature:
Christine Boyanoski, ‘Figures in the Landscape en plein air’ in Ian Thom, et al., "Embracing Landscapes: From Krieghoff to the Group of Seven", Vancouver/London, 2015, pages 61-62, reproduced pages 58-59
Notes:
Born in Montreal, Sandham began his career as a painter and illustrator while working as a photographic retoucher with noted composite photographer William Norman in his studio. Branching out into his own practice, Sandham won the silver medal at the Universal Exposition in Paris in 1878 for his composite photograph of the Montreal Snow Shoe Club (1877). He began working on assignment for "The Century Magazine" and "Scribner’s Monthly" magazine creating illustrations for the publications, including an illustration for George Grant’s "The Dominion of Canada" article for "Scribner’s Monthly" (1880). He was a founding member of the Society of Canadian Artists and in 1880 became a charter member of the Royal Canadian Academy. Travelling to France, Boston, and England, spending significant time in Boston where he was the vice president of the Boston Arts Club, Sandham passed away in 1910 in London, UK.
Most realised prices include the Buyer's Premium of 18-25%, but not the HST/GST Tax.
(*) Text and/or Image might be subject matter of Copyright. Check with Cowley Abbott auction house for permission to use.
(*) Text and/or Image might be subject matter of Copyright. Check with Cowley Abbott auction house for permission to use.