Bye Bye Blackbird
91.4 cms x 121.9 cms (36 ins x 48 ins)
Signed and dated 1958 and on verso signed, titled, dated february - june 1958 and inscribed by the artist "reworked, repaired, restored, dec. 1991, vancouver, bc"
made in 1958
Lot offered for sale by Heffel, Vancouver at the auction event "Spring 2011 Live auction" held on Tue, May 17, 2011.
Lot 013
Lot 013
Estimate: CAD $8,000 - $12,000
Did not sell
Did not sell
Lot description - from the online catalogue*
Provenance:
Private Collection, Vancouver
Notes:
Bye Bye Blackbird can be seen as a culmination of Dennis Burton's interests at the time in abstraction and jazz. Following William Ronald's first one-man show at the Hart House Gallery in Toronto in 1954, Burton recalled being so excited by what he saw that he and fellow artist Gordon Rayner returned to their studio vowing never to paint representational artwork again (although Burton did later return to representational work, becoming renowned for his Garterbeltmania series in 1965). Burton, who played saxophone, was one of the founding members of the Artists' Jazz Band which played at The Isaacs Gallery. Playing in the band was important for Burton and his fellow artist-musician colleagues such as Richard Gorman, Graham Coughtry, Nobuo Kubota and Robert Markle. Jazz was a language that they shared and they regarded their artwork as being parallel to jazz improvisation. Completely non-figurative, except for the title, this stunning work reads like the free jazz of the late 1950s and early 1960s, in which metre, beat and formal symmetry all disappear into the loose harmony of the work.
Private Collection, Vancouver
Notes:
Bye Bye Blackbird can be seen as a culmination of Dennis Burton's interests at the time in abstraction and jazz. Following William Ronald's first one-man show at the Hart House Gallery in Toronto in 1954, Burton recalled being so excited by what he saw that he and fellow artist Gordon Rayner returned to their studio vowing never to paint representational artwork again (although Burton did later return to representational work, becoming renowned for his Garterbeltmania series in 1965). Burton, who played saxophone, was one of the founding members of the Artists' Jazz Band which played at The Isaacs Gallery. Playing in the band was important for Burton and his fellow artist-musician colleagues such as Richard Gorman, Graham Coughtry, Nobuo Kubota and Robert Markle. Jazz was a language that they shared and they regarded their artwork as being parallel to jazz improvisation. Completely non-figurative, except for the title, this stunning work reads like the free jazz of the late 1950s and early 1960s, in which metre, beat and formal symmetry all disappear into the loose harmony of the work.
Most realised prices include the Buyer's Premium of 18-25%, but not the HST/GST Tax.
(*) Text and/or Image might be subject matter of Copyright. Check with Heffel auction house for permission to use.
(*) Text and/or Image might be subject matter of Copyright. Check with Heffel auction house for permission to use.